Re-released in 1995 with some tracks missing ("This Can't Be Love"), making the original very collectable. Konishi revamps an old demo, "Sex Machine" (no relation to the James Brown song), into a Black Album-era Prince funk workout, and comes up with his own Martin Denny-esque exotica on "Aloha e Blues." The album does have a bit too much filler in the form of short group member "statements," but they are mercifully short. Feeling the sampladelic heat from Stateside by such groups as De La Soul, Konishi and Takanami throw everything into the mix, beginning the kitsch recycling that would soon become their style, and from there, Shibuya-kei. This was Takao Tajima's last outing as vocalist, but such soul workouts as "Lip Service," "Yubikiri" (a Eiichi Ohtaki cover from the early 70s), and a hip-hop reworking of "Temptation Talk" from Bellissima! point toward his future work as leader of Original Love. Soft Landing on the Moon shows the band in transition, with a selection made up of radical reworkings of their past catalog, outtakes, covers, and some strong originals. It's one of the few bands that I can fully enjoy without understanding the language at all.If anything, Pizzicato Five's fourth album demonstrates that great things can come from disparate sources. They could be regarded as a prototype for the modern J-Pop band. with their 1994 compilation album "Made in U.S.A.". Being rather alternative in sound, P5 were surprisingly well-known back in the day, reaching success not only in Japan, but also across the sea in the U.S. The genre is considered dead as of right now, but it's fascinating to look back on. To give you a short summary, Shibuya-Kei (literally translated to "Shibuya style", Shibuya being one of the central districts in Tokyo, Manhattan being a western equivalent) was a style of music and fashion, basically a pop culture aesthetic, that flourished in Japan, Tokyo's Shibuya district from the late 80's to the early 2000's. Pizzicato Five could be regarded as one of the main and most vibrant figures of the Shibuya-Kei movement of Japan. Grimes - ArtAngels (2015)Lana Del Rey - Born to Die (2012)The Divine Comedy - Foreverland (2016)Leon Bridges - Coming Home (2015)Mor Karbasi - La Tsadika (2013)Laura Marling - Once I Was an. The cover of "Sweet Pizzicato Five" LP (1992) Visual Influences: 60's corporate graphic design and Kitsch aesthetic, Pop Art, Disco fashion, Space Age fashion. File info Artist & Title: Pizzicato Five THE BAND OF 20TH CENTURY: Nippon Columbia Years 1991-2001 Artist & Title (Org.): THE BAND OF. After some personnel changes in the late 1980s, the band gained international fame as a duo consisting of Konishi and vocalist Maki Nomiya. Musical influences: French yé-yé music, 60's Beach music, Lounge music, House, Trip-hop, Drum 'n Bass, Bossa Nova, Funk, Soul. Pizzicato Five (formerly typeset as Pizzicato V and sometimes abbreviated to P5) was a Japanese pop band formed in Tokyo in 1979 by multi-instrumentalists Yasuharu Konishi and Keitar Takanami. Genre: Shibuya-Kei (An umbrella term for 90's Japanese Pop music, mixed with Jazz, Rock 'n Roll, Electronic, other styles ). Beginning with the 1990 single 'Lovers Rock,' Maki Nomiya was the new P5 vocalist their popularity at home continued to soar, and in 1994 the American indie label Matador agreed to issue the compilation EP Five by Five. Notable members: Nomiya Maki (lead vocalist), Konishi Yasuharu (writer and producer, creator of the band), Keitaro Takanami (producer, till 1994) Catalog Ratings: 63 Cataloged: 46 Track rating sets: 6 Rating distribution 1 2 3 4 5 0 5 10 15 20 Rating trend +0.2 +0.25 +0.3 +0.35 +0. The group was formed in 1985 by Konishi and fellow founding bandmates Keitar Takanami, Ry Kamomiya, Mamiko Sasaki, and Shigeo Miyata. This is a page on why I love the Pizzicato Five, and why you may be interested as well. Perfil: Pizzicato Five (1985-2001) was a Japanese pop group best known to audiences in the West in their later incarnation as a duo of Maki Nomiya and Yasuharu Konishi.
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